Abstract
Lawrence Durrell's alter-ego, Pursewarden, in The Alexandria Quartet defines his work in a way that Seems particularly applicable to Pynchon's Y.
How to Cite:
Peirce, C. M., (1982) “Pynchon's V. and Durrell's Alexandria Quartet: A Seminar in the Modern Tradition”, Pynchon Notes 8, 23-29. doi: https://doi.org/10.16995/pn.457
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